Archives pour la catégorie 2013-14 season

2015-2016 season

JASAM VAN SEBE / HORS DE MOI

with

Nikola Krminak, Florence Valéro, Noël Clément, 

Nicolas Macé, Maud Watel Kazak and Mathieu Rapinier

Director Maud Watel Kazak

Composer Mathieu Rapinier and Nicolas Macé

Assistant director Eva Dehargues

Communication and diffusion Emily Holmes

Scenography and Lights Naelle Lamothe

Video Valentin Bertomeu and Frank Essam

An interdisciplinary theatre, music and video original work  who was performed in numerous venues across Paris including the Théâtre de la Bastille and Théâtre de l’Opprimé, also in Théâtre des Rendez vous d’ailleurs, Grand Salon de la Fondation des Etats Unis (FEUSA, Cité Internationale Universitaire de Paris) and in Marseille, Chateau Lombert Roudelet Felibren

 

PSYCHAGOGY : The Dance of the Fulcrum and Kroumatograph

psychagogy2psychagogy1

with Alexis Story Crawshaw, Tim Wood and Maud Watel Kazak

with the collaboration of Marcos Novak, director of the Translab and MAT program,UCSB

The Dance of the Fulcrum and Kroumatograph is the last performative work in the Translab of UCSB included 3D technology in an installation/performance . The whole work explores musical experience and form as a function of both time and space. During the performative portion, as voice, piano, and electronics sound, two dancers engage in the art of sculpting music with the body. Using visual projections from a VR head-mounted display worn by one dancer and a real-time 3D spatial virtual drawing tool controlled by the other dancer, the two explore the space between music and sculpture, the actual and the virtual, the permanent and the ephemeral. In the second half, the audience is invited to explore a 3D-tracked environment brought alive with a both a grid of interacting standing waves and a grid different thermal and olfactory currents. Through 3D-spatial trackers and sensors on the piano, moving strings and moving people algorithmically modulate the transmodal environment temporally in turn, uniting spatial and temporal elements into continuous, spatiotemporal musical expression.

Publicités

2013-14 WatKaz’ season

2013-2014 season

Sur le Chemin…, On the way…

The Watkaz’s first transdisciplinary creation investigates the theater/dance/music/video interactions with the Brazilian author Marlon Miguel, the American composer Alexis Crawshaw, and the French director Maud Watel Kazak.

 

Hernie Discale, Discal Hernia

The play from the Austrian author Ingrid Lausund, addresses the topic of work and employees in a comedy of absurdity. The Maud Watel Kazak’s staging aims to questioning the language boundaries by using mime, commedia dell’arte and dance’s processes and music as aural architecture, the comedians have to deal with the degeneration phenomenon.

 

 

Performance/Theater Waiting for… Paris – Montreal

Azadeh Radbooei and Maud Watel Kazak present this interactive performance since November 2012 in Paris and more recently in Montreal, March 2014. Inspired by the Samuel Beckett’s play, Waiting for Godot, Waiting for… is a participative event where the audience is involved as characters from their own drama.

 

Musical and theatral performances in Santa Barbara

Alexis Crawshaw and Maud Watel Kazak propose two interactive performances Touching gestures and Transamplitheatral perception, for the UCSB’s Primavera Festival, with the collaboration of Marcos Novak and the Create Ensemble directed by Matt Wright.

https://watkaz.wordpress.com/category/musique/performance-santa-barbara/

 

Street Opera in Montreal – June 2014

The street opera will be performed as a parallel event to the Encuentro conference which happens in Montreal from June 21 to 28. The project is emerging out of the SenseLab at Concordia, which is an open academic community of artists-researchers (http://senselab.ca/wp2/). The initiator of the street opera project is Maud Watel Kazak, a French interdisciplinary performer and creator who founded the WatKaz collective in Paris (https://watkaz.wordpress.com/).